The mission of FILARMONIKA Music Publishing is to discover and promote the musical repertoire of Latin America and the Caribbean.

Latin American Works

Showing 1 - 20 (of 152)
Composer Title Country Duration Instrumentation Score Parts
Agudelo, Víctor (b. 1979)

Agudelo, Víctor (b. 1979)

Biography

Winner of the 2009 ASCAP Foundation Morton Gould Young Composer Award, Colombian composer Victor Agudelo began studying classical piano and music theory at the Colombo-Venezolano School of Music. Years later Agudelo continued his popular piano studies at the Colegio de Música de Medellín. In 1998 he attended to the Universidad EAFIT to continue his music studies with a concentration in composition. Víctor studied composition and music theory with professors Andrés Posada, Moises Bertrán, Mario Gómez Vignes and Sergio Mesa. He also took piano with Lise Frank and choral conducting with Cecilia Espinosa. In 2000 and 2001 Agudelo won the EAFIT's music department composition contests with the works: "Credo" and "Sangre de Hincha" (Blood of the Fan) respectively. In July 2003 he received his undergraduate degree from Universidad EAFIT and a fellowship to continue graduate studies at the same school. Agudelo has been composer and arranger for the Orquesta Filarmónica de Bogotá, Orquesta Filarmónica de Medellín, Orquesta Sinfónica de La Habana–Cuba, Orquesta Sinfónica de Castilla y León-España, Orquesta Sinfónica Universidad EAFIT, Banda Sinfónica Universidad de Antioquia, Orquesta Sinfónica Juvenil, University of Memphis Symphony Orchestra, U of M Contemporary Chamber Players, Ensamble Vocal Arcadia, Prizm Ensemble and Montecino piano trio, International Trio among other projects. His music has been played so far in: Colombia, Spain USA, China, Belgium, Germany, Australia, Sweden, Chile, Argentina, Hungary, Cuba and Japan. In April 2005. Victor won the Smit Composition Award, prize given to outstanding composition students at the University of Memphis. During the summer 2007, Agudelo went to The Shangai Conservatory - China with the University of Memphis Symphony Orchestra as assistant conductor and also playing his chamber music for piano and other instruments.  In December 2008, Agudelo received his Doctor In Music Arts degree in composition at The University of Memphis with Professors Kamran Ince and John Baur and minor in orchestra conducting with Pu-Qi Jiang and Kraig Williams. In March 2009, Victor won The ASCAP Foundation Morton Gould Young Composer Award with the piece "Continental Prism". Currently, Agudelo is composition and theory professor at EAFIT University in Medellin- Colombia.

Website

www.victoragudelo.co

Published Works

  • EL SOMBRERÓN, for orchestra
  • LA MADRE DE AGUA, for orchestra
×
EL SOMBRERÓN, for orchestra
Colombia 9' 2*222-4231-timp-perc (2)-pno-str $50.00 Rental only - Please contact orders@filarmonika.com
View
Purchase
Agudelo, Víctor (b. 1979)

Agudelo, Víctor (b. 1979)

Biography

Winner of the 2009 ASCAP Foundation Morton Gould Young Composer Award, Colombian composer Victor Agudelo began studying classical piano and music theory at the Colombo-Venezolano School of Music. Years later Agudelo continued his popular piano studies at the Colegio de Música de Medellín. In 1998 he attended to the Universidad EAFIT to continue his music studies with a concentration in composition. Víctor studied composition and music theory with professors Andrés Posada, Moises Bertrán, Mario Gómez Vignes and Sergio Mesa. He also took piano with Lise Frank and choral conducting with Cecilia Espinosa. In 2000 and 2001 Agudelo won the EAFIT's music department composition contests with the works: "Credo" and "Sangre de Hincha" (Blood of the Fan) respectively. In July 2003 he received his undergraduate degree from Universidad EAFIT and a fellowship to continue graduate studies at the same school. Agudelo has been composer and arranger for the Orquesta Filarmónica de Bogotá, Orquesta Filarmónica de Medellín, Orquesta Sinfónica de La Habana–Cuba, Orquesta Sinfónica de Castilla y León-España, Orquesta Sinfónica Universidad EAFIT, Banda Sinfónica Universidad de Antioquia, Orquesta Sinfónica Juvenil, University of Memphis Symphony Orchestra, U of M Contemporary Chamber Players, Ensamble Vocal Arcadia, Prizm Ensemble and Montecino piano trio, International Trio among other projects. His music has been played so far in: Colombia, Spain USA, China, Belgium, Germany, Australia, Sweden, Chile, Argentina, Hungary, Cuba and Japan. In April 2005. Victor won the Smit Composition Award, prize given to outstanding composition students at the University of Memphis. During the summer 2007, Agudelo went to The Shangai Conservatory - China with the University of Memphis Symphony Orchestra as assistant conductor and also playing his chamber music for piano and other instruments.  In December 2008, Agudelo received his Doctor In Music Arts degree in composition at The University of Memphis with Professors Kamran Ince and John Baur and minor in orchestra conducting with Pu-Qi Jiang and Kraig Williams. In March 2009, Victor won The ASCAP Foundation Morton Gould Young Composer Award with the piece "Continental Prism". Currently, Agudelo is composition and theory professor at EAFIT University in Medellin- Colombia.

Website

www.victoragudelo.co

Published Works

  • EL SOMBRERÓN, for orchestra
  • LA MADRE DE AGUA, for orchestra
×
LA MADRE DE AGUA, for orchestra
Colombia 9' 2*222-4231-timp-perc (2)-pno-str $60.00 Rental Only - Please contact orders@filarmonika.com
View Purchase
Alzedo, José Bernardo (1788-1878)

Alzedo, José Bernardo (1788-1878)

Biography

José Bernardo Alzedo (August 20, 1788 – December 28, 1878), was one of the most important Peruvian composers of the nineteenth century. Born in Lima, Peru, studied music at the Convent of San Agustín and in 1821 was the winner of a contest sponsored by General José de San Martín to choose a national anthem for Peru. In 1822, Alzedo went to Chile as a soldier in a military band which he left years later in order to dedicate completely to music. In 1846 he became kapellmeister of the Cathedral of Santiago. After living 40 years in Chile he returned to Peru in 1864 to become director of the Peruvian Military Band and president of the Philharmonic. He spent the last years of his life in Peru. He wrote the book "Elemental Philosophy of Music" (1869), where he explored the subject of the music of the Quechuas. He composed folk songs, numerous religious works, and military music. ______________________________________________________________________________________________________________________ José Bernardo Alzedo (Agosto 20, 1788 – Diciembre 28, 1878) fue uno de los compositores peruanos más importantes del Siglo XIX. Estudió música en el Convento de San Agustín, donde fue alumno de los sacerdotes Cipriano Aguilar y Pascual Neves. En 1807, vistió el hábito de hermano dominico y asumió la enseñanza de los niños coristas del Convento de Santo Domingo. En 1821, participó en el concurso que convocó don José de San Martín para elegir el Himno Nacional del Perú. Su composición musical resultó vencedora, junto a la letra de don José de la Torre Ugarte. En 1822, viajó a Chile donde siguió dedicándose a la música. En 1833, ingresó a la coro de la Catedral de Santiago, donde fue Maestro durante 18 años. En 1864, regresó a Lima a pasar sus últimos años. Siguió componiendo muchas canciones religiosas y patrióticas. También escribió el libro "Filosófía elemental de la música" (1869).

Website

Published Works

  • HIMNO NACIONAL DEL PERÚ (National Anthem of Peru) Orch. Rebagliati
×
HIMNO NACIONAL DEL PERÚ (National Anthem of Peru) Orch. Rebagliati
Peru 3' 3*2222alto sax-4331-perc (2)-str $40.00 Please enquire
View
Purchase
Arias, Clotilde (1901-1959)

Arias, Clotilde (1901-1959)

Biography

Singer, lyricist, and composer Clotilde Arias (1901-1959) was born in Iquitos, Peru, on the shores of the Amazon, and went to the USA in 1924 to study music, supporting herself by playing the piano for silent movies. She composed the famous Hymn of the Americas, and wrote the original Spanish lyrics for a number of popular songs that have become well-known in translation (‘Rum and Coca-Cola’, “You are Everything to Me’). _________________________________________________________________________________________________________________________ La cantante, liricista y compositora peruana Clotilde Arias (1901-1959) nació en Iquitos, Perú, en la rivera del Amazonas. Viajó a los Estados Unidos en 1924 a estudiar música; allí se mantenía económicamente tocando piano para películas mudas. Clotilde Arias compuso el famoso “Himno de las Américas” y escribió letras originales en español para una serie de canciones populares de gran fama (“Ron y Coca-Cola”, “Tú eres todo para mí”).

Website

Published Works

  • HUIRACOCHA, for voice and orchestra
  • HUIRACOCHA, for voice and orchestra
×
HUIRACOCHA, for voice and orchestra
Peru 4'30" 2000-2000-timp-hp-str $25.00 $150.00
View
Purchase Purchase
Benzecry, Esteban (b. 1970)

Benzecry, Esteban (b. 1970)

Biography

Argentinean composer born in 1970, Esteban Benzecry is one of South America's most renowned young composers. He studied musical composition with Sergio Hualpa and Haydee Gerardi in Argentina, and moved to Paris in 1997, where he studied composition with Jacques Charpentier's, Professor of the Conservatoire Superieur de Paris. He obtained the "Premier Prix a l'unanimitè" in composition in 1999. He also studied composition with Paul Méfano, and Electro acoustic music with Luis Naon and Laurent Cuniot. He is the author of three symphonies (his first symphony, "El compendio de la vida" from 1993 is inspired on four of his own canvases) as well as symphonic and chamber works. His most recent works attempt a fusion between rhythms with Latin American roots and the diverse aesthetic currents of European contemporary music creating, a personal language, an imaginary folklore. "Le Monde de la Musique" has called him a distant heir to Villa Lobos and Ginastera because of his imaginative use of the Latin American musical patrimony. His works have been played in Europe and the United States. Among the interpreters that have performed his works are: Royal Concertgebouw Orchestra, Los Angeles Philharmonic, Atlanta Symphony Orchestra, Seattle Symphony, Fort Worth Symphony Orchestra, Gothenburg Symphony Orchestra, Hamburg Philharmoniker Orchester, Sydney Symphony Orchestra, Helsinki Philharmonic, Tampere Philharmonic, Stavanger Symfoniorkester, Orquesta Gulbenkian of Lisbon, ORCAM Orquesta y Coro de la Comunidad de Madrid, Orquesta Sinfonica de RTVE (Radio Televisión Española), Orchestre National de France, Orchestre National de Montpellier, Orchestre Colonne de Paris, Orchestre de Concerts Pasdeloup ,Orchestre Lamoureux, Orchestre Symphonique de Cannes-Côte d’Azur, la Sinfonietta de Paris, Orchestre de la Basse Normandie, Orchestre Universitaire de Strasbourg, l’ensemble l’Itineraire, Grup Instrumental de Valencia, Ensamble LIM, Orquesta Sinfonica National de Argentine, Orquesta Filarmonica del Teatro Colón de Buenos Aires, Orquesta Sinfónica Simón Bolívar de Venezuela, Orquesta Filarmonica Nacional de Venezuela, Orquesta Filarmonica de Bogota (Colombia), Orquesta Nacional de Colombia, Orquesta Sinfonica de Chile, Orquesta Sinfónica Nacional (Peru), l’Ensemble de l’Université Carnegie-Mellon de Pittsburgh (USA), Orchestre Symphonique de Klaipeda (Lituanie), Orquesta Sinfonica Carlos Chavez (Mexique) la Camerata Lysy - Gstaad (Suisse), la Camerata Basel (Suisse), la Camerata Bariloche (Argentine), “London’s Schubert Chamber Orchestra” (UK), and Solaris String quartet of London,Filarmonica de Stat Targu Mures (Roumanie). His works have also been performed by renowned artists such as Gustavo Dudamel, Miguel Harth-Bedoya, Diego Matheuz, Giancarlo Guerrero, David Alan Miller, Laurent Petitgirard, Alain Altinoglu, Daniel Kawka, Wolfgang Doerner, Mark Foster, Alain Pâris, Nemanja Radulovic, Rolf Schulte, Alberto Lysy, Gautier Capuçon, Sol Gabetta, Horacio Lavandera, Jesus Castro Balbi among others. His works have been commissioned and performed at Carnegie Hall, Concertgebouw, Sydney Opera House, Royal Festival Hall, Salle Pleyel, Salle GAVEAU, Théâtre des Champs Elysées, Theatre Mogador, Maison de Radio France , Palais de l’Unesco de Paris, Palais des Festivals a Cannes, Opera de Montpellier, Finlandia Hall, Teatro Colón de Buenos Aires, Auditorio Nacional de Madrid, Festival de Islas Canarias, Festival Rencontres d’ensembles de violoncelles de Beauvais, Walt Disney Concert Hall, Juilliard School of New York (Lincoln Center), Boston Conservatory, Chopin Conservatory of Music (Poland) Festival Pontino (Italy) , Festivals de Brighton et Dartington (UK), Festival Estoril de Portugal, Musica Viva Festival - Miso Music Portugal, Festival Ensems de Valencia, Festival de Morelia (Mexico), Festival Latinoamericano de Musica de Caracas, Festival Iberoamericano de Puerto Rico, museo Guggenheim de Bilbao-Festival BBK , and the Van Cliburn Foundation in Fort Worth, Texas... In 1992 he was distinguished as "The young revelation of the Season" by the Musical Critics Association of Argentina. In 1994 the same association awarded him "The best Argentine work premiered in the 1994 Season" distinction, for his Symphony n°1 "El compendio de la vida", played by the National Symphony Orchestra. In 1999 he was distinguished by the Academie des Beaux-Arts de l'Institut de France with the prize from the Foundation Delmas, the prize Tronchet in 2002 and the prize Georges Wildenstein in 2006. In 2004, he received the Fondation groupe d'entreprise Banque Populaire-Natexis Award for music. He is Resident Composer at the Casa de Velazquez of Madrid 2004-2006 (Academie de France a Madrid). In 2008 he received a John Simon Guggenheim Memorial Foundation Fellowship for Music Composition. He has been a fellow of the "Interamerican Music Friends of Washington" (USA) , Mozarteum Argentino and Academie des Beaux-Arts de l'Institut de France. In 1995 he was invited as Resident Composer at the Yehudi Menuhin Academy (Switzerland). Benzecry lives in Paris since 1997 ___________________________________________________________________________________________________________________________ Compositor argentino nacido en Lisboa en 1970 (de padres argentinos), después de crecer en la Argentina ha vivido en Francia desde 1997, y obtuvo la nacionalidad francesa en 2011. Desde 1997 reside en París, Francia, donde realizó estudios de composición en el conservatorio de París bajo la guía de los maestros Jacques Charpentier y Paul Mefano, obteniendo un premier prix a la unanimidad en composición musical. También realizó cursos de música electroacústica (nouvelles techniques) dictado por los maestros Luis Naon y Laurent Cuniot en el Conservatoire National Superieur de Paris. En Argentina paralelamente a sus estudios de Bellas Artes en la universidad "Prilidiano Pueyrredon" coronados por un título de profesor nacional de pintura, estudia composición con los maestros Sergio Hualpa y Haydee Geradi. Autor de tres sinfonías, (su primera sinfonía escrita en 1993,"El compendio de la vida" esta inspirada en cuatro pinturas de su autoría), varias obras sinfónicas y de cámara. Sus obras más recientes intentan una fusión entre los ritmos y raíces latinoamericanas que toma como fuente de inspiración, y las diferentes corrientes estéticas de la música contemporánea europea creando así un lenguaje personal, un folclore imaginario. Una crítica publicada en "Le Monde de la Musique" (07/2001), lo califica como un heredero lejano de Villa-Lobos y Alberto Ginastera por la utilización imaginativa del patrimonio musical latinoamericano. Sus obras son interpretadas y encargadas por importantes orquestas y solistas de Europa y América como las siguientes: Royal Concertgebouw Orchestra, Los Ángeles Philharmonic, Atlanta Symphony Orchestra , Seattle Symphony, Fort Worth Symphony Orchestra, Sydney Symphony Orchestra, Gothenburg Symphony Orchestra, Hamburg Philharmoniker Orchester, Helsinki Philharmonic, Tampere Philharmonic, Stavanger Symfoniorkester, ORCAM Orquesta y Coro de la Comunidad de Madrid, Orquesta de la RTVE Radio Television Española, Orquestra Gulbenkian de Lisboa, Orchestre National de France, Orchestre Philharmonique de Radio France, Orchestre National de Montpellier,Orchestre Colonne, Orchestre Pasdeloup, Orchestre Lamoureux , Orchestre Symphonique de Cannes-Côte d’Azur, Sinfonietta de París, Orchestre de la Basse Normandie, Orchestre Universitaire de Strasbourg, el ensemble l’Itinéraire, el Octuor des violoncelles de Beauvais, Grup Instrumental de Valencia, Ensamble LIM, Orquesta Sinfónica Nacional de Argentina, Orquesta Filarmónica del Teatro Colón de Buenos Aires, Orquesta Sinfónica Simón Bolivar de Venezuela, Orquesta Filarmónica Nacional de Venezuela, Orquesta Filarmónica de Bogotá, Orquesta Nacional de Colombia, Orquesta Sinfónica de Chile, Orquesta Sinfónica Nacional de Lima, Carnegie Mellon Contemporary Ensemble of Pittsburgh (USA), Orchestre Symphonique de Klaïpeda (Lituanie), Orquesta Sinfónica Carlos Chávez (México), Camerata Lysy - Gstaad, Camerata Basel, Camerata Bariloche (Argentina), London’s Schubert Chamber Orchestra, Filarmónica de Stat Targu Mures (Rumania), Solaris String Quartet, Gustavo Dudamel, Miguel Harth Bedoya, Diego Matheuz, Giancarlo Guerrero, Laurent Petitgirard, Alain Altinoglu, Daniel Kawka, Wolfgang Doerner, Mark Foster, Alain Pâris, Nemanja Radulovic, Alberto Lysy, Gautier Capuçon, Sol Gabetta, Horacio Lavandera y Jesús Castro Balbi. Y han sido programadas en importantes salas y Festivales internacionales de los que se pueden citar: the Carnegie Hall, Concertgebouw, Royal Festival Hall, Sydney Opera House, Salle Pleyel, Salle GAVEAU, Théâtre des Champs Elysées, Théâtre Mogador, Maison de RADIO FRANCE, Palais de l’Unesco de París, Palais des Festivals a Cannes, Opéra de Montpellier, Sydney Opera House,Teatro Colón de Buenos Aires, Auditorio Nacional de Madrid, Festival Rencontres d’ensembles de violoncelles de Beauvais, Concours International d’harpe Lily Laskine, Juilliard School de Nueva York, (Lincoln Center), Boston Conservatory, Festival Présences de Radio France, Festival Pontino d’Italie, Festivals de Brighton et Dartington (Inglaterra), Festival de Musica de Islas Canarias, Festival Estoril de Portugal, Miso Music Portugal, Festival Musica Viva de Lisboa, Festival Ensems de Valencia, Festival de Morelia (México), Festival Latinoamericano de Música de Caracas, Festival Iberoamericano de Puerto Rico, Museo Guggenheim de Bilbao- Festival BBK, Van Cliburn Foundation of Fort Worth. Distinguido por la Asociación de Críticos Musicales de la Argentina, en 1992 como la "joven revelación", en 1994 recibe el premio a la mejor obra argentina estrenada en dicha temporada por su primera sinfonía "El compendio de la vida", en el 2006 por su obra “La Lumière de Pacha Camac"y finalemente en el 2009 por su obra "Patagonia". La Académie des Beaux-arts de l’Institut de France le ha otorgado varios premios: en 1999 el Premio Delmas; en 2002 el Premio Tronchet; y, en el 2006, el Premio Georges Wildenstein. En el 2004 gana el premio de composición de la Fundación Groupe d’entreprise Banque Populaire-Natexis. En el 2008 recibe el premio de la John Simon Guggenheim Memorial Foundation de New York. Compositor en residencia en la Casa de Velázquez de Madrid 2004-06 (miembro de la sección artística). Ha sido becario del "Mozarteum Argentino" y de "Interamerican Music Friends" de Washington (USA). En 1995 fue invitado como compositor en residencia a la "Academie Internationale de Musique Yehudi Menuhin" de Suiza. Bio take from his website on Feb. 17, 2015

Website

www.estebanbenzecry.com

Published Works

  • COLORES DE LA CRUZ DEL SUR (Commissioned by Radio France)
  • TOCCATA Y MISTERIO, for cello and piano
  • RAPSODIA ANDINA, for cello and piano
  • ALWA, for harp - Commissioned for the Lily Laskine Harp Competition, 2008
  • TOCCATA NEWÉN, for solo piano
  • RAPSODIA ANDINA, for violin and piano
×
ALWA, for harp - Commissioned for the Lily Laskine Harp Competition, 2008
Argentina 5' harp $25.00 --
View
Purchase
Benzecry, Esteban (b. 1970)

Benzecry, Esteban (b. 1970)

Biography

Argentinean composer born in 1970, Esteban Benzecry is one of South America's most renowned young composers. He studied musical composition with Sergio Hualpa and Haydee Gerardi in Argentina, and moved to Paris in 1997, where he studied composition with Jacques Charpentier's, Professor of the Conservatoire Superieur de Paris. He obtained the "Premier Prix a l'unanimitè" in composition in 1999. He also studied composition with Paul Méfano, and Electro acoustic music with Luis Naon and Laurent Cuniot. He is the author of three symphonies (his first symphony, "El compendio de la vida" from 1993 is inspired on four of his own canvases) as well as symphonic and chamber works. His most recent works attempt a fusion between rhythms with Latin American roots and the diverse aesthetic currents of European contemporary music creating, a personal language, an imaginary folklore. "Le Monde de la Musique" has called him a distant heir to Villa Lobos and Ginastera because of his imaginative use of the Latin American musical patrimony. His works have been played in Europe and the United States. Among the interpreters that have performed his works are: Royal Concertgebouw Orchestra, Los Angeles Philharmonic, Atlanta Symphony Orchestra, Seattle Symphony, Fort Worth Symphony Orchestra, Gothenburg Symphony Orchestra, Hamburg Philharmoniker Orchester, Sydney Symphony Orchestra, Helsinki Philharmonic, Tampere Philharmonic, Stavanger Symfoniorkester, Orquesta Gulbenkian of Lisbon, ORCAM Orquesta y Coro de la Comunidad de Madrid, Orquesta Sinfonica de RTVE (Radio Televisión Española), Orchestre National de France, Orchestre National de Montpellier, Orchestre Colonne de Paris, Orchestre de Concerts Pasdeloup ,Orchestre Lamoureux, Orchestre Symphonique de Cannes-Côte d’Azur, la Sinfonietta de Paris, Orchestre de la Basse Normandie, Orchestre Universitaire de Strasbourg, l’ensemble l’Itineraire, Grup Instrumental de Valencia, Ensamble LIM, Orquesta Sinfonica National de Argentine, Orquesta Filarmonica del Teatro Colón de Buenos Aires, Orquesta Sinfónica Simón Bolívar de Venezuela, Orquesta Filarmonica Nacional de Venezuela, Orquesta Filarmonica de Bogota (Colombia), Orquesta Nacional de Colombia, Orquesta Sinfonica de Chile, Orquesta Sinfónica Nacional (Peru), l’Ensemble de l’Université Carnegie-Mellon de Pittsburgh (USA), Orchestre Symphonique de Klaipeda (Lituanie), Orquesta Sinfonica Carlos Chavez (Mexique) la Camerata Lysy - Gstaad (Suisse), la Camerata Basel (Suisse), la Camerata Bariloche (Argentine), “London’s Schubert Chamber Orchestra” (UK), and Solaris String quartet of London,Filarmonica de Stat Targu Mures (Roumanie). His works have also been performed by renowned artists such as Gustavo Dudamel, Miguel Harth-Bedoya, Diego Matheuz, Giancarlo Guerrero, David Alan Miller, Laurent Petitgirard, Alain Altinoglu, Daniel Kawka, Wolfgang Doerner, Mark Foster, Alain Pâris, Nemanja Radulovic, Rolf Schulte, Alberto Lysy, Gautier Capuçon, Sol Gabetta, Horacio Lavandera, Jesus Castro Balbi among others. His works have been commissioned and performed at Carnegie Hall, Concertgebouw, Sydney Opera House, Royal Festival Hall, Salle Pleyel, Salle GAVEAU, Théâtre des Champs Elysées, Theatre Mogador, Maison de Radio France , Palais de l’Unesco de Paris, Palais des Festivals a Cannes, Opera de Montpellier, Finlandia Hall, Teatro Colón de Buenos Aires, Auditorio Nacional de Madrid, Festival de Islas Canarias, Festival Rencontres d’ensembles de violoncelles de Beauvais, Walt Disney Concert Hall, Juilliard School of New York (Lincoln Center), Boston Conservatory, Chopin Conservatory of Music (Poland) Festival Pontino (Italy) , Festivals de Brighton et Dartington (UK), Festival Estoril de Portugal, Musica Viva Festival - Miso Music Portugal, Festival Ensems de Valencia, Festival de Morelia (Mexico), Festival Latinoamericano de Musica de Caracas, Festival Iberoamericano de Puerto Rico, museo Guggenheim de Bilbao-Festival BBK , and the Van Cliburn Foundation in Fort Worth, Texas... In 1992 he was distinguished as "The young revelation of the Season" by the Musical Critics Association of Argentina. In 1994 the same association awarded him "The best Argentine work premiered in the 1994 Season" distinction, for his Symphony n°1 "El compendio de la vida", played by the National Symphony Orchestra. In 1999 he was distinguished by the Academie des Beaux-Arts de l'Institut de France with the prize from the Foundation Delmas, the prize Tronchet in 2002 and the prize Georges Wildenstein in 2006. In 2004, he received the Fondation groupe d'entreprise Banque Populaire-Natexis Award for music. He is Resident Composer at the Casa de Velazquez of Madrid 2004-2006 (Academie de France a Madrid). In 2008 he received a John Simon Guggenheim Memorial Foundation Fellowship for Music Composition. He has been a fellow of the "Interamerican Music Friends of Washington" (USA) , Mozarteum Argentino and Academie des Beaux-Arts de l'Institut de France. In 1995 he was invited as Resident Composer at the Yehudi Menuhin Academy (Switzerland). Benzecry lives in Paris since 1997 ___________________________________________________________________________________________________________________________ Compositor argentino nacido en Lisboa en 1970 (de padres argentinos), después de crecer en la Argentina ha vivido en Francia desde 1997, y obtuvo la nacionalidad francesa en 2011. Desde 1997 reside en París, Francia, donde realizó estudios de composición en el conservatorio de París bajo la guía de los maestros Jacques Charpentier y Paul Mefano, obteniendo un premier prix a la unanimidad en composición musical. También realizó cursos de música electroacústica (nouvelles techniques) dictado por los maestros Luis Naon y Laurent Cuniot en el Conservatoire National Superieur de Paris. En Argentina paralelamente a sus estudios de Bellas Artes en la universidad "Prilidiano Pueyrredon" coronados por un título de profesor nacional de pintura, estudia composición con los maestros Sergio Hualpa y Haydee Geradi. Autor de tres sinfonías, (su primera sinfonía escrita en 1993,"El compendio de la vida" esta inspirada en cuatro pinturas de su autoría), varias obras sinfónicas y de cámara. Sus obras más recientes intentan una fusión entre los ritmos y raíces latinoamericanas que toma como fuente de inspiración, y las diferentes corrientes estéticas de la música contemporánea europea creando así un lenguaje personal, un folclore imaginario. Una crítica publicada en "Le Monde de la Musique" (07/2001), lo califica como un heredero lejano de Villa-Lobos y Alberto Ginastera por la utilización imaginativa del patrimonio musical latinoamericano. Sus obras son interpretadas y encargadas por importantes orquestas y solistas de Europa y América como las siguientes: Royal Concertgebouw Orchestra, Los Ángeles Philharmonic, Atlanta Symphony Orchestra , Seattle Symphony, Fort Worth Symphony Orchestra, Sydney Symphony Orchestra, Gothenburg Symphony Orchestra, Hamburg Philharmoniker Orchester, Helsinki Philharmonic, Tampere Philharmonic, Stavanger Symfoniorkester, ORCAM Orquesta y Coro de la Comunidad de Madrid, Orquesta de la RTVE Radio Television Española, Orquestra Gulbenkian de Lisboa, Orchestre National de France, Orchestre Philharmonique de Radio France, Orchestre National de Montpellier,Orchestre Colonne, Orchestre Pasdeloup, Orchestre Lamoureux , Orchestre Symphonique de Cannes-Côte d’Azur, Sinfonietta de París, Orchestre de la Basse Normandie, Orchestre Universitaire de Strasbourg, el ensemble l’Itinéraire, el Octuor des violoncelles de Beauvais, Grup Instrumental de Valencia, Ensamble LIM, Orquesta Sinfónica Nacional de Argentina, Orquesta Filarmónica del Teatro Colón de Buenos Aires, Orquesta Sinfónica Simón Bolivar de Venezuela, Orquesta Filarmónica Nacional de Venezuela, Orquesta Filarmónica de Bogotá, Orquesta Nacional de Colombia, Orquesta Sinfónica de Chile, Orquesta Sinfónica Nacional de Lima, Carnegie Mellon Contemporary Ensemble of Pittsburgh (USA), Orchestre Symphonique de Klaïpeda (Lituanie), Orquesta Sinfónica Carlos Chávez (México), Camerata Lysy - Gstaad, Camerata Basel, Camerata Bariloche (Argentina), London’s Schubert Chamber Orchestra, Filarmónica de Stat Targu Mures (Rumania), Solaris String Quartet, Gustavo Dudamel, Miguel Harth Bedoya, Diego Matheuz, Giancarlo Guerrero, Laurent Petitgirard, Alain Altinoglu, Daniel Kawka, Wolfgang Doerner, Mark Foster, Alain Pâris, Nemanja Radulovic, Alberto Lysy, Gautier Capuçon, Sol Gabetta, Horacio Lavandera y Jesús Castro Balbi. Y han sido programadas en importantes salas y Festivales internacionales de los que se pueden citar: the Carnegie Hall, Concertgebouw, Royal Festival Hall, Sydney Opera House, Salle Pleyel, Salle GAVEAU, Théâtre des Champs Elysées, Théâtre Mogador, Maison de RADIO FRANCE, Palais de l’Unesco de París, Palais des Festivals a Cannes, Opéra de Montpellier, Sydney Opera House,Teatro Colón de Buenos Aires, Auditorio Nacional de Madrid, Festival Rencontres d’ensembles de violoncelles de Beauvais, Concours International d’harpe Lily Laskine, Juilliard School de Nueva York, (Lincoln Center), Boston Conservatory, Festival Présences de Radio France, Festival Pontino d’Italie, Festivals de Brighton et Dartington (Inglaterra), Festival de Musica de Islas Canarias, Festival Estoril de Portugal, Miso Music Portugal, Festival Musica Viva de Lisboa, Festival Ensems de Valencia, Festival de Morelia (México), Festival Latinoamericano de Música de Caracas, Festival Iberoamericano de Puerto Rico, Museo Guggenheim de Bilbao- Festival BBK, Van Cliburn Foundation of Fort Worth. Distinguido por la Asociación de Críticos Musicales de la Argentina, en 1992 como la "joven revelación", en 1994 recibe el premio a la mejor obra argentina estrenada en dicha temporada por su primera sinfonía "El compendio de la vida", en el 2006 por su obra “La Lumière de Pacha Camac"y finalemente en el 2009 por su obra "Patagonia". La Académie des Beaux-arts de l’Institut de France le ha otorgado varios premios: en 1999 el Premio Delmas; en 2002 el Premio Tronchet; y, en el 2006, el Premio Georges Wildenstein. En el 2004 gana el premio de composición de la Fundación Groupe d’entreprise Banque Populaire-Natexis. En el 2008 recibe el premio de la John Simon Guggenheim Memorial Foundation de New York. Compositor en residencia en la Casa de Velázquez de Madrid 2004-06 (miembro de la sección artística). Ha sido becario del "Mozarteum Argentino" y de "Interamerican Music Friends" de Washington (USA). En 1995 fue invitado como compositor en residencia a la "Academie Internationale de Musique Yehudi Menuhin" de Suiza. Bio take from his website on Feb. 17, 2015

Website

www.estebanbenzecry.com

Published Works

  • COLORES DE LA CRUZ DEL SUR (Commissioned by Radio France)
  • TOCCATA Y MISTERIO, for cello and piano
  • RAPSODIA ANDINA, for cello and piano
  • ALWA, for harp - Commissioned for the Lily Laskine Harp Competition, 2008
  • TOCCATA NEWÉN, for solo piano
  • RAPSODIA ANDINA, for violin and piano
×
COLORES DE LA CRUZ DEL SUR (Commissioned by Radio France)
Argentina 15' 3333-4331-timp-perc (4)-pno-hp-str $75.00 Rental only - Please contact orders@filarmonika.com
View
Purchase
Benzecry, Esteban (b. 1970)

Benzecry, Esteban (b. 1970)

Biography

Argentinean composer born in 1970, Esteban Benzecry is one of South America's most renowned young composers. He studied musical composition with Sergio Hualpa and Haydee Gerardi in Argentina, and moved to Paris in 1997, where he studied composition with Jacques Charpentier's, Professor of the Conservatoire Superieur de Paris. He obtained the "Premier Prix a l'unanimitè" in composition in 1999. He also studied composition with Paul Méfano, and Electro acoustic music with Luis Naon and Laurent Cuniot. He is the author of three symphonies (his first symphony, "El compendio de la vida" from 1993 is inspired on four of his own canvases) as well as symphonic and chamber works. His most recent works attempt a fusion between rhythms with Latin American roots and the diverse aesthetic currents of European contemporary music creating, a personal language, an imaginary folklore. "Le Monde de la Musique" has called him a distant heir to Villa Lobos and Ginastera because of his imaginative use of the Latin American musical patrimony. His works have been played in Europe and the United States. Among the interpreters that have performed his works are: Royal Concertgebouw Orchestra, Los Angeles Philharmonic, Atlanta Symphony Orchestra, Seattle Symphony, Fort Worth Symphony Orchestra, Gothenburg Symphony Orchestra, Hamburg Philharmoniker Orchester, Sydney Symphony Orchestra, Helsinki Philharmonic, Tampere Philharmonic, Stavanger Symfoniorkester, Orquesta Gulbenkian of Lisbon, ORCAM Orquesta y Coro de la Comunidad de Madrid, Orquesta Sinfonica de RTVE (Radio Televisión Española), Orchestre National de France, Orchestre National de Montpellier, Orchestre Colonne de Paris, Orchestre de Concerts Pasdeloup ,Orchestre Lamoureux, Orchestre Symphonique de Cannes-Côte d’Azur, la Sinfonietta de Paris, Orchestre de la Basse Normandie, Orchestre Universitaire de Strasbourg, l’ensemble l’Itineraire, Grup Instrumental de Valencia, Ensamble LIM, Orquesta Sinfonica National de Argentine, Orquesta Filarmonica del Teatro Colón de Buenos Aires, Orquesta Sinfónica Simón Bolívar de Venezuela, Orquesta Filarmonica Nacional de Venezuela, Orquesta Filarmonica de Bogota (Colombia), Orquesta Nacional de Colombia, Orquesta Sinfonica de Chile, Orquesta Sinfónica Nacional (Peru), l’Ensemble de l’Université Carnegie-Mellon de Pittsburgh (USA), Orchestre Symphonique de Klaipeda (Lituanie), Orquesta Sinfonica Carlos Chavez (Mexique) la Camerata Lysy - Gstaad (Suisse), la Camerata Basel (Suisse), la Camerata Bariloche (Argentine), “London’s Schubert Chamber Orchestra” (UK), and Solaris String quartet of London,Filarmonica de Stat Targu Mures (Roumanie). His works have also been performed by renowned artists such as Gustavo Dudamel, Miguel Harth-Bedoya, Diego Matheuz, Giancarlo Guerrero, David Alan Miller, Laurent Petitgirard, Alain Altinoglu, Daniel Kawka, Wolfgang Doerner, Mark Foster, Alain Pâris, Nemanja Radulovic, Rolf Schulte, Alberto Lysy, Gautier Capuçon, Sol Gabetta, Horacio Lavandera, Jesus Castro Balbi among others. His works have been commissioned and performed at Carnegie Hall, Concertgebouw, Sydney Opera House, Royal Festival Hall, Salle Pleyel, Salle GAVEAU, Théâtre des Champs Elysées, Theatre Mogador, Maison de Radio France , Palais de l’Unesco de Paris, Palais des Festivals a Cannes, Opera de Montpellier, Finlandia Hall, Teatro Colón de Buenos Aires, Auditorio Nacional de Madrid, Festival de Islas Canarias, Festival Rencontres d’ensembles de violoncelles de Beauvais, Walt Disney Concert Hall, Juilliard School of New York (Lincoln Center), Boston Conservatory, Chopin Conservatory of Music (Poland) Festival Pontino (Italy) , Festivals de Brighton et Dartington (UK), Festival Estoril de Portugal, Musica Viva Festival - Miso Music Portugal, Festival Ensems de Valencia, Festival de Morelia (Mexico), Festival Latinoamericano de Musica de Caracas, Festival Iberoamericano de Puerto Rico, museo Guggenheim de Bilbao-Festival BBK , and the Van Cliburn Foundation in Fort Worth, Texas... In 1992 he was distinguished as "The young revelation of the Season" by the Musical Critics Association of Argentina. In 1994 the same association awarded him "The best Argentine work premiered in the 1994 Season" distinction, for his Symphony n°1 "El compendio de la vida", played by the National Symphony Orchestra. In 1999 he was distinguished by the Academie des Beaux-Arts de l'Institut de France with the prize from the Foundation Delmas, the prize Tronchet in 2002 and the prize Georges Wildenstein in 2006. In 2004, he received the Fondation groupe d'entreprise Banque Populaire-Natexis Award for music. He is Resident Composer at the Casa de Velazquez of Madrid 2004-2006 (Academie de France a Madrid). In 2008 he received a John Simon Guggenheim Memorial Foundation Fellowship for Music Composition. He has been a fellow of the "Interamerican Music Friends of Washington" (USA) , Mozarteum Argentino and Academie des Beaux-Arts de l'Institut de France. In 1995 he was invited as Resident Composer at the Yehudi Menuhin Academy (Switzerland). Benzecry lives in Paris since 1997 ___________________________________________________________________________________________________________________________ Compositor argentino nacido en Lisboa en 1970 (de padres argentinos), después de crecer en la Argentina ha vivido en Francia desde 1997, y obtuvo la nacionalidad francesa en 2011. Desde 1997 reside en París, Francia, donde realizó estudios de composición en el conservatorio de París bajo la guía de los maestros Jacques Charpentier y Paul Mefano, obteniendo un premier prix a la unanimidad en composición musical. También realizó cursos de música electroacústica (nouvelles techniques) dictado por los maestros Luis Naon y Laurent Cuniot en el Conservatoire National Superieur de Paris. En Argentina paralelamente a sus estudios de Bellas Artes en la universidad "Prilidiano Pueyrredon" coronados por un título de profesor nacional de pintura, estudia composición con los maestros Sergio Hualpa y Haydee Geradi. Autor de tres sinfonías, (su primera sinfonía escrita en 1993,"El compendio de la vida" esta inspirada en cuatro pinturas de su autoría), varias obras sinfónicas y de cámara. Sus obras más recientes intentan una fusión entre los ritmos y raíces latinoamericanas que toma como fuente de inspiración, y las diferentes corrientes estéticas de la música contemporánea europea creando así un lenguaje personal, un folclore imaginario. Una crítica publicada en "Le Monde de la Musique" (07/2001), lo califica como un heredero lejano de Villa-Lobos y Alberto Ginastera por la utilización imaginativa del patrimonio musical latinoamericano. Sus obras son interpretadas y encargadas por importantes orquestas y solistas de Europa y América como las siguientes: Royal Concertgebouw Orchestra, Los Ángeles Philharmonic, Atlanta Symphony Orchestra , Seattle Symphony, Fort Worth Symphony Orchestra, Sydney Symphony Orchestra, Gothenburg Symphony Orchestra, Hamburg Philharmoniker Orchester, Helsinki Philharmonic, Tampere Philharmonic, Stavanger Symfoniorkester, ORCAM Orquesta y Coro de la Comunidad de Madrid, Orquesta de la RTVE Radio Television Española, Orquestra Gulbenkian de Lisboa, Orchestre National de France, Orchestre Philharmonique de Radio France, Orchestre National de Montpellier,Orchestre Colonne, Orchestre Pasdeloup, Orchestre Lamoureux , Orchestre Symphonique de Cannes-Côte d’Azur, Sinfonietta de París, Orchestre de la Basse Normandie, Orchestre Universitaire de Strasbourg, el ensemble l’Itinéraire, el Octuor des violoncelles de Beauvais, Grup Instrumental de Valencia, Ensamble LIM, Orquesta Sinfónica Nacional de Argentina, Orquesta Filarmónica del Teatro Colón de Buenos Aires, Orquesta Sinfónica Simón Bolivar de Venezuela, Orquesta Filarmónica Nacional de Venezuela, Orquesta Filarmónica de Bogotá, Orquesta Nacional de Colombia, Orquesta Sinfónica de Chile, Orquesta Sinfónica Nacional de Lima, Carnegie Mellon Contemporary Ensemble of Pittsburgh (USA), Orchestre Symphonique de Klaïpeda (Lituanie), Orquesta Sinfónica Carlos Chávez (México), Camerata Lysy - Gstaad, Camerata Basel, Camerata Bariloche (Argentina), London’s Schubert Chamber Orchestra, Filarmónica de Stat Targu Mures (Rumania), Solaris String Quartet, Gustavo Dudamel, Miguel Harth Bedoya, Diego Matheuz, Giancarlo Guerrero, Laurent Petitgirard, Alain Altinoglu, Daniel Kawka, Wolfgang Doerner, Mark Foster, Alain Pâris, Nemanja Radulovic, Alberto Lysy, Gautier Capuçon, Sol Gabetta, Horacio Lavandera y Jesús Castro Balbi. Y han sido programadas en importantes salas y Festivales internacionales de los que se pueden citar: the Carnegie Hall, Concertgebouw, Royal Festival Hall, Sydney Opera House, Salle Pleyel, Salle GAVEAU, Théâtre des Champs Elysées, Théâtre Mogador, Maison de RADIO FRANCE, Palais de l’Unesco de París, Palais des Festivals a Cannes, Opéra de Montpellier, Sydney Opera House,Teatro Colón de Buenos Aires, Auditorio Nacional de Madrid, Festival Rencontres d’ensembles de violoncelles de Beauvais, Concours International d’harpe Lily Laskine, Juilliard School de Nueva York, (Lincoln Center), Boston Conservatory, Festival Présences de Radio France, Festival Pontino d’Italie, Festivals de Brighton et Dartington (Inglaterra), Festival de Musica de Islas Canarias, Festival Estoril de Portugal, Miso Music Portugal, Festival Musica Viva de Lisboa, Festival Ensems de Valencia, Festival de Morelia (México), Festival Latinoamericano de Música de Caracas, Festival Iberoamericano de Puerto Rico, Museo Guggenheim de Bilbao- Festival BBK, Van Cliburn Foundation of Fort Worth. Distinguido por la Asociación de Críticos Musicales de la Argentina, en 1992 como la "joven revelación", en 1994 recibe el premio a la mejor obra argentina estrenada en dicha temporada por su primera sinfonía "El compendio de la vida", en el 2006 por su obra “La Lumière de Pacha Camac"y finalemente en el 2009 por su obra "Patagonia". La Académie des Beaux-arts de l’Institut de France le ha otorgado varios premios: en 1999 el Premio Delmas; en 2002 el Premio Tronchet; y, en el 2006, el Premio Georges Wildenstein. En el 2004 gana el premio de composición de la Fundación Groupe d’entreprise Banque Populaire-Natexis. En el 2008 recibe el premio de la John Simon Guggenheim Memorial Foundation de New York. Compositor en residencia en la Casa de Velázquez de Madrid 2004-06 (miembro de la sección artística). Ha sido becario del "Mozarteum Argentino" y de "Interamerican Music Friends" de Washington (USA). En 1995 fue invitado como compositor en residencia a la "Academie Internationale de Musique Yehudi Menuhin" de Suiza. Bio take from his website on Feb. 17, 2015

Website

www.estebanbenzecry.com

Published Works

  • COLORES DE LA CRUZ DEL SUR (Commissioned by Radio France)
  • TOCCATA Y MISTERIO, for cello and piano
  • RAPSODIA ANDINA, for cello and piano
  • ALWA, for harp - Commissioned for the Lily Laskine Harp Competition, 2008
  • TOCCATA NEWÉN, for solo piano
  • RAPSODIA ANDINA, for violin and piano
×
RAPSODIA ANDINA, for cello and piano
Argentina 9'30" cello and piano $45.00 Piano score and cello part included
View
Purchase
Benzecry, Esteban (b. 1970)

Benzecry, Esteban (b. 1970)

Biography

Argentinean composer born in 1970, Esteban Benzecry is one of South America's most renowned young composers. He studied musical composition with Sergio Hualpa and Haydee Gerardi in Argentina, and moved to Paris in 1997, where he studied composition with Jacques Charpentier's, Professor of the Conservatoire Superieur de Paris. He obtained the "Premier Prix a l'unanimitè" in composition in 1999. He also studied composition with Paul Méfano, and Electro acoustic music with Luis Naon and Laurent Cuniot. He is the author of three symphonies (his first symphony, "El compendio de la vida" from 1993 is inspired on four of his own canvases) as well as symphonic and chamber works. His most recent works attempt a fusion between rhythms with Latin American roots and the diverse aesthetic currents of European contemporary music creating, a personal language, an imaginary folklore. "Le Monde de la Musique" has called him a distant heir to Villa Lobos and Ginastera because of his imaginative use of the Latin American musical patrimony. His works have been played in Europe and the United States. Among the interpreters that have performed his works are: Royal Concertgebouw Orchestra, Los Angeles Philharmonic, Atlanta Symphony Orchestra, Seattle Symphony, Fort Worth Symphony Orchestra, Gothenburg Symphony Orchestra, Hamburg Philharmoniker Orchester, Sydney Symphony Orchestra, Helsinki Philharmonic, Tampere Philharmonic, Stavanger Symfoniorkester, Orquesta Gulbenkian of Lisbon, ORCAM Orquesta y Coro de la Comunidad de Madrid, Orquesta Sinfonica de RTVE (Radio Televisión Española), Orchestre National de France, Orchestre National de Montpellier, Orchestre Colonne de Paris, Orchestre de Concerts Pasdeloup ,Orchestre Lamoureux, Orchestre Symphonique de Cannes-Côte d’Azur, la Sinfonietta de Paris, Orchestre de la Basse Normandie, Orchestre Universitaire de Strasbourg, l’ensemble l’Itineraire, Grup Instrumental de Valencia, Ensamble LIM, Orquesta Sinfonica National de Argentine, Orquesta Filarmonica del Teatro Colón de Buenos Aires, Orquesta Sinfónica Simón Bolívar de Venezuela, Orquesta Filarmonica Nacional de Venezuela, Orquesta Filarmonica de Bogota (Colombia), Orquesta Nacional de Colombia, Orquesta Sinfonica de Chile, Orquesta Sinfónica Nacional (Peru), l’Ensemble de l’Université Carnegie-Mellon de Pittsburgh (USA), Orchestre Symphonique de Klaipeda (Lituanie), Orquesta Sinfonica Carlos Chavez (Mexique) la Camerata Lysy - Gstaad (Suisse), la Camerata Basel (Suisse), la Camerata Bariloche (Argentine), “London’s Schubert Chamber Orchestra” (UK), and Solaris String quartet of London,Filarmonica de Stat Targu Mures (Roumanie). His works have also been performed by renowned artists such as Gustavo Dudamel, Miguel Harth-Bedoya, Diego Matheuz, Giancarlo Guerrero, David Alan Miller, Laurent Petitgirard, Alain Altinoglu, Daniel Kawka, Wolfgang Doerner, Mark Foster, Alain Pâris, Nemanja Radulovic, Rolf Schulte, Alberto Lysy, Gautier Capuçon, Sol Gabetta, Horacio Lavandera, Jesus Castro Balbi among others. His works have been commissioned and performed at Carnegie Hall, Concertgebouw, Sydney Opera House, Royal Festival Hall, Salle Pleyel, Salle GAVEAU, Théâtre des Champs Elysées, Theatre Mogador, Maison de Radio France , Palais de l’Unesco de Paris, Palais des Festivals a Cannes, Opera de Montpellier, Finlandia Hall, Teatro Colón de Buenos Aires, Auditorio Nacional de Madrid, Festival de Islas Canarias, Festival Rencontres d’ensembles de violoncelles de Beauvais, Walt Disney Concert Hall, Juilliard School of New York (Lincoln Center), Boston Conservatory, Chopin Conservatory of Music (Poland) Festival Pontino (Italy) , Festivals de Brighton et Dartington (UK), Festival Estoril de Portugal, Musica Viva Festival - Miso Music Portugal, Festival Ensems de Valencia, Festival de Morelia (Mexico), Festival Latinoamericano de Musica de Caracas, Festival Iberoamericano de Puerto Rico, museo Guggenheim de Bilbao-Festival BBK , and the Van Cliburn Foundation in Fort Worth, Texas... In 1992 he was distinguished as "The young revelation of the Season" by the Musical Critics Association of Argentina. In 1994 the same association awarded him "The best Argentine work premiered in the 1994 Season" distinction, for his Symphony n°1 "El compendio de la vida", played by the National Symphony Orchestra. In 1999 he was distinguished by the Academie des Beaux-Arts de l'Institut de France with the prize from the Foundation Delmas, the prize Tronchet in 2002 and the prize Georges Wildenstein in 2006. In 2004, he received the Fondation groupe d'entreprise Banque Populaire-Natexis Award for music. He is Resident Composer at the Casa de Velazquez of Madrid 2004-2006 (Academie de France a Madrid). In 2008 he received a John Simon Guggenheim Memorial Foundation Fellowship for Music Composition. He has been a fellow of the "Interamerican Music Friends of Washington" (USA) , Mozarteum Argentino and Academie des Beaux-Arts de l'Institut de France. In 1995 he was invited as Resident Composer at the Yehudi Menuhin Academy (Switzerland). Benzecry lives in Paris since 1997 ___________________________________________________________________________________________________________________________ Compositor argentino nacido en Lisboa en 1970 (de padres argentinos), después de crecer en la Argentina ha vivido en Francia desde 1997, y obtuvo la nacionalidad francesa en 2011. Desde 1997 reside en París, Francia, donde realizó estudios de composición en el conservatorio de París bajo la guía de los maestros Jacques Charpentier y Paul Mefano, obteniendo un premier prix a la unanimidad en composición musical. También realizó cursos de música electroacústica (nouvelles techniques) dictado por los maestros Luis Naon y Laurent Cuniot en el Conservatoire National Superieur de Paris. En Argentina paralelamente a sus estudios de Bellas Artes en la universidad "Prilidiano Pueyrredon" coronados por un título de profesor nacional de pintura, estudia composición con los maestros Sergio Hualpa y Haydee Geradi. Autor de tres sinfonías, (su primera sinfonía escrita en 1993,"El compendio de la vida" esta inspirada en cuatro pinturas de su autoría), varias obras sinfónicas y de cámara. Sus obras más recientes intentan una fusión entre los ritmos y raíces latinoamericanas que toma como fuente de inspiración, y las diferentes corrientes estéticas de la música contemporánea europea creando así un lenguaje personal, un folclore imaginario. Una crítica publicada en "Le Monde de la Musique" (07/2001), lo califica como un heredero lejano de Villa-Lobos y Alberto Ginastera por la utilización imaginativa del patrimonio musical latinoamericano. Sus obras son interpretadas y encargadas por importantes orquestas y solistas de Europa y América como las siguientes: Royal Concertgebouw Orchestra, Los Ángeles Philharmonic, Atlanta Symphony Orchestra , Seattle Symphony, Fort Worth Symphony Orchestra, Sydney Symphony Orchestra, Gothenburg Symphony Orchestra, Hamburg Philharmoniker Orchester, Helsinki Philharmonic, Tampere Philharmonic, Stavanger Symfoniorkester, ORCAM Orquesta y Coro de la Comunidad de Madrid, Orquesta de la RTVE Radio Television Española, Orquestra Gulbenkian de Lisboa, Orchestre National de France, Orchestre Philharmonique de Radio France, Orchestre National de Montpellier,Orchestre Colonne, Orchestre Pasdeloup, Orchestre Lamoureux , Orchestre Symphonique de Cannes-Côte d’Azur, Sinfonietta de París, Orchestre de la Basse Normandie, Orchestre Universitaire de Strasbourg, el ensemble l’Itinéraire, el Octuor des violoncelles de Beauvais, Grup Instrumental de Valencia, Ensamble LIM, Orquesta Sinfónica Nacional de Argentina, Orquesta Filarmónica del Teatro Colón de Buenos Aires, Orquesta Sinfónica Simón Bolivar de Venezuela, Orquesta Filarmónica Nacional de Venezuela, Orquesta Filarmónica de Bogotá, Orquesta Nacional de Colombia, Orquesta Sinfónica de Chile, Orquesta Sinfónica Nacional de Lima, Carnegie Mellon Contemporary Ensemble of Pittsburgh (USA), Orchestre Symphonique de Klaïpeda (Lituanie), Orquesta Sinfónica Carlos Chávez (México), Camerata Lysy - Gstaad, Camerata Basel, Camerata Bariloche (Argentina), London’s Schubert Chamber Orchestra, Filarmónica de Stat Targu Mures (Rumania), Solaris String Quartet, Gustavo Dudamel, Miguel Harth Bedoya, Diego Matheuz, Giancarlo Guerrero, Laurent Petitgirard, Alain Altinoglu, Daniel Kawka, Wolfgang Doerner, Mark Foster, Alain Pâris, Nemanja Radulovic, Alberto Lysy, Gautier Capuçon, Sol Gabetta, Horacio Lavandera y Jesús Castro Balbi. Y han sido programadas en importantes salas y Festivales internacionales de los que se pueden citar: the Carnegie Hall, Concertgebouw, Royal Festival Hall, Sydney Opera House, Salle Pleyel, Salle GAVEAU, Théâtre des Champs Elysées, Théâtre Mogador, Maison de RADIO FRANCE, Palais de l’Unesco de París, Palais des Festivals a Cannes, Opéra de Montpellier, Sydney Opera House,Teatro Colón de Buenos Aires, Auditorio Nacional de Madrid, Festival Rencontres d’ensembles de violoncelles de Beauvais, Concours International d’harpe Lily Laskine, Juilliard School de Nueva York, (Lincoln Center), Boston Conservatory, Festival Présences de Radio France, Festival Pontino d’Italie, Festivals de Brighton et Dartington (Inglaterra), Festival de Musica de Islas Canarias, Festival Estoril de Portugal, Miso Music Portugal, Festival Musica Viva de Lisboa, Festival Ensems de Valencia, Festival de Morelia (México), Festival Latinoamericano de Música de Caracas, Festival Iberoamericano de Puerto Rico, Museo Guggenheim de Bilbao- Festival BBK, Van Cliburn Foundation of Fort Worth. Distinguido por la Asociación de Críticos Musicales de la Argentina, en 1992 como la "joven revelación", en 1994 recibe el premio a la mejor obra argentina estrenada en dicha temporada por su primera sinfonía "El compendio de la vida", en el 2006 por su obra “La Lumière de Pacha Camac"y finalemente en el 2009 por su obra "Patagonia". La Académie des Beaux-arts de l’Institut de France le ha otorgado varios premios: en 1999 el Premio Delmas; en 2002 el Premio Tronchet; y, en el 2006, el Premio Georges Wildenstein. En el 2004 gana el premio de composición de la Fundación Groupe d’entreprise Banque Populaire-Natexis. En el 2008 recibe el premio de la John Simon Guggenheim Memorial Foundation de New York. Compositor en residencia en la Casa de Velázquez de Madrid 2004-06 (miembro de la sección artística). Ha sido becario del "Mozarteum Argentino" y de "Interamerican Music Friends" de Washington (USA). En 1995 fue invitado como compositor en residencia a la "Academie Internationale de Musique Yehudi Menuhin" de Suiza. Bio take from his website on Feb. 17, 2015

Website

www.estebanbenzecry.com

Published Works

  • COLORES DE LA CRUZ DEL SUR (Commissioned by Radio France)
  • TOCCATA Y MISTERIO, for cello and piano
  • RAPSODIA ANDINA, for cello and piano
  • ALWA, for harp - Commissioned for the Lily Laskine Harp Competition, 2008
  • TOCCATA NEWÉN, for solo piano
  • RAPSODIA ANDINA, for violin and piano
×
RAPSODIA ANDINA, for violin and piano
Argentina 9'30 violin and piano $45.00 piano score and violin part included
View Purchase
Benzecry, Esteban (b. 1970)

Benzecry, Esteban (b. 1970)

Biography

Argentinean composer born in 1970, Esteban Benzecry is one of South America's most renowned young composers. He studied musical composition with Sergio Hualpa and Haydee Gerardi in Argentina, and moved to Paris in 1997, where he studied composition with Jacques Charpentier's, Professor of the Conservatoire Superieur de Paris. He obtained the "Premier Prix a l'unanimitè" in composition in 1999. He also studied composition with Paul Méfano, and Electro acoustic music with Luis Naon and Laurent Cuniot. He is the author of three symphonies (his first symphony, "El compendio de la vida" from 1993 is inspired on four of his own canvases) as well as symphonic and chamber works. His most recent works attempt a fusion between rhythms with Latin American roots and the diverse aesthetic currents of European contemporary music creating, a personal language, an imaginary folklore. "Le Monde de la Musique" has called him a distant heir to Villa Lobos and Ginastera because of his imaginative use of the Latin American musical patrimony. His works have been played in Europe and the United States. Among the interpreters that have performed his works are: Royal Concertgebouw Orchestra, Los Angeles Philharmonic, Atlanta Symphony Orchestra, Seattle Symphony, Fort Worth Symphony Orchestra, Gothenburg Symphony Orchestra, Hamburg Philharmoniker Orchester, Sydney Symphony Orchestra, Helsinki Philharmonic, Tampere Philharmonic, Stavanger Symfoniorkester, Orquesta Gulbenkian of Lisbon, ORCAM Orquesta y Coro de la Comunidad de Madrid, Orquesta Sinfonica de RTVE (Radio Televisión Española), Orchestre National de France, Orchestre National de Montpellier, Orchestre Colonne de Paris, Orchestre de Concerts Pasdeloup ,Orchestre Lamoureux, Orchestre Symphonique de Cannes-Côte d’Azur, la Sinfonietta de Paris, Orchestre de la Basse Normandie, Orchestre Universitaire de Strasbourg, l’ensemble l’Itineraire, Grup Instrumental de Valencia, Ensamble LIM, Orquesta Sinfonica National de Argentine, Orquesta Filarmonica del Teatro Colón de Buenos Aires, Orquesta Sinfónica Simón Bolívar de Venezuela, Orquesta Filarmonica Nacional de Venezuela, Orquesta Filarmonica de Bogota (Colombia), Orquesta Nacional de Colombia, Orquesta Sinfonica de Chile, Orquesta Sinfónica Nacional (Peru), l’Ensemble de l’Université Carnegie-Mellon de Pittsburgh (USA), Orchestre Symphonique de Klaipeda (Lituanie), Orquesta Sinfonica Carlos Chavez (Mexique) la Camerata Lysy - Gstaad (Suisse), la Camerata Basel (Suisse), la Camerata Bariloche (Argentine), “London’s Schubert Chamber Orchestra” (UK), and Solaris String quartet of London,Filarmonica de Stat Targu Mures (Roumanie). His works have also been performed by renowned artists such as Gustavo Dudamel, Miguel Harth-Bedoya, Diego Matheuz, Giancarlo Guerrero, David Alan Miller, Laurent Petitgirard, Alain Altinoglu, Daniel Kawka, Wolfgang Doerner, Mark Foster, Alain Pâris, Nemanja Radulovic, Rolf Schulte, Alberto Lysy, Gautier Capuçon, Sol Gabetta, Horacio Lavandera, Jesus Castro Balbi among others. His works have been commissioned and performed at Carnegie Hall, Concertgebouw, Sydney Opera House, Royal Festival Hall, Salle Pleyel, Salle GAVEAU, Théâtre des Champs Elysées, Theatre Mogador, Maison de Radio France , Palais de l’Unesco de Paris, Palais des Festivals a Cannes, Opera de Montpellier, Finlandia Hall, Teatro Colón de Buenos Aires, Auditorio Nacional de Madrid, Festival de Islas Canarias, Festival Rencontres d’ensembles de violoncelles de Beauvais, Walt Disney Concert Hall, Juilliard School of New York (Lincoln Center), Boston Conservatory, Chopin Conservatory of Music (Poland) Festival Pontino (Italy) , Festivals de Brighton et Dartington (UK), Festival Estoril de Portugal, Musica Viva Festival - Miso Music Portugal, Festival Ensems de Valencia, Festival de Morelia (Mexico), Festival Latinoamericano de Musica de Caracas, Festival Iberoamericano de Puerto Rico, museo Guggenheim de Bilbao-Festival BBK , and the Van Cliburn Foundation in Fort Worth, Texas... In 1992 he was distinguished as "The young revelation of the Season" by the Musical Critics Association of Argentina. In 1994 the same association awarded him "The best Argentine work premiered in the 1994 Season" distinction, for his Symphony n°1 "El compendio de la vida", played by the National Symphony Orchestra. In 1999 he was distinguished by the Academie des Beaux-Arts de l'Institut de France with the prize from the Foundation Delmas, the prize Tronchet in 2002 and the prize Georges Wildenstein in 2006. In 2004, he received the Fondation groupe d'entreprise Banque Populaire-Natexis Award for music. He is Resident Composer at the Casa de Velazquez of Madrid 2004-2006 (Academie de France a Madrid). In 2008 he received a John Simon Guggenheim Memorial Foundation Fellowship for Music Composition. He has been a fellow of the "Interamerican Music Friends of Washington" (USA) , Mozarteum Argentino and Academie des Beaux-Arts de l'Institut de France. In 1995 he was invited as Resident Composer at the Yehudi Menuhin Academy (Switzerland). Benzecry lives in Paris since 1997 ___________________________________________________________________________________________________________________________ Compositor argentino nacido en Lisboa en 1970 (de padres argentinos), después de crecer en la Argentina ha vivido en Francia desde 1997, y obtuvo la nacionalidad francesa en 2011. Desde 1997 reside en París, Francia, donde realizó estudios de composición en el conservatorio de París bajo la guía de los maestros Jacques Charpentier y Paul Mefano, obteniendo un premier prix a la unanimidad en composición musical. También realizó cursos de música electroacústica (nouvelles techniques) dictado por los maestros Luis Naon y Laurent Cuniot en el Conservatoire National Superieur de Paris. En Argentina paralelamente a sus estudios de Bellas Artes en la universidad "Prilidiano Pueyrredon" coronados por un título de profesor nacional de pintura, estudia composición con los maestros Sergio Hualpa y Haydee Geradi. Autor de tres sinfonías, (su primera sinfonía escrita en 1993,"El compendio de la vida" esta inspirada en cuatro pinturas de su autoría), varias obras sinfónicas y de cámara. Sus obras más recientes intentan una fusión entre los ritmos y raíces latinoamericanas que toma como fuente de inspiración, y las diferentes corrientes estéticas de la música contemporánea europea creando así un lenguaje personal, un folclore imaginario. Una crítica publicada en "Le Monde de la Musique" (07/2001), lo califica como un heredero lejano de Villa-Lobos y Alberto Ginastera por la utilización imaginativa del patrimonio musical latinoamericano. Sus obras son interpretadas y encargadas por importantes orquestas y solistas de Europa y América como las siguientes: Royal Concertgebouw Orchestra, Los Ángeles Philharmonic, Atlanta Symphony Orchestra , Seattle Symphony, Fort Worth Symphony Orchestra, Sydney Symphony Orchestra, Gothenburg Symphony Orchestra, Hamburg Philharmoniker Orchester, Helsinki Philharmonic, Tampere Philharmonic, Stavanger Symfoniorkester, ORCAM Orquesta y Coro de la Comunidad de Madrid, Orquesta de la RTVE Radio Television Española, Orquestra Gulbenkian de Lisboa, Orchestre National de France, Orchestre Philharmonique de Radio France, Orchestre National de Montpellier,Orchestre Colonne, Orchestre Pasdeloup, Orchestre Lamoureux , Orchestre Symphonique de Cannes-Côte d’Azur, Sinfonietta de París, Orchestre de la Basse Normandie, Orchestre Universitaire de Strasbourg, el ensemble l’Itinéraire, el Octuor des violoncelles de Beauvais, Grup Instrumental de Valencia, Ensamble LIM, Orquesta Sinfónica Nacional de Argentina, Orquesta Filarmónica del Teatro Colón de Buenos Aires, Orquesta Sinfónica Simón Bolivar de Venezuela, Orquesta Filarmónica Nacional de Venezuela, Orquesta Filarmónica de Bogotá, Orquesta Nacional de Colombia, Orquesta Sinfónica de Chile, Orquesta Sinfónica Nacional de Lima, Carnegie Mellon Contemporary Ensemble of Pittsburgh (USA), Orchestre Symphonique de Klaïpeda (Lituanie), Orquesta Sinfónica Carlos Chávez (México), Camerata Lysy - Gstaad, Camerata Basel, Camerata Bariloche (Argentina), London’s Schubert Chamber Orchestra, Filarmónica de Stat Targu Mures (Rumania), Solaris String Quartet, Gustavo Dudamel, Miguel Harth Bedoya, Diego Matheuz, Giancarlo Guerrero, Laurent Petitgirard, Alain Altinoglu, Daniel Kawka, Wolfgang Doerner, Mark Foster, Alain Pâris, Nemanja Radulovic, Alberto Lysy, Gautier Capuçon, Sol Gabetta, Horacio Lavandera y Jesús Castro Balbi. Y han sido programadas en importantes salas y Festivales internacionales de los que se pueden citar: the Carnegie Hall, Concertgebouw, Royal Festival Hall, Sydney Opera House, Salle Pleyel, Salle GAVEAU, Théâtre des Champs Elysées, Théâtre Mogador, Maison de RADIO FRANCE, Palais de l’Unesco de París, Palais des Festivals a Cannes, Opéra de Montpellier, Sydney Opera House,Teatro Colón de Buenos Aires, Auditorio Nacional de Madrid, Festival Rencontres d’ensembles de violoncelles de Beauvais, Concours International d’harpe Lily Laskine, Juilliard School de Nueva York, (Lincoln Center), Boston Conservatory, Festival Présences de Radio France, Festival Pontino d’Italie, Festivals de Brighton et Dartington (Inglaterra), Festival de Musica de Islas Canarias, Festival Estoril de Portugal, Miso Music Portugal, Festival Musica Viva de Lisboa, Festival Ensems de Valencia, Festival de Morelia (México), Festival Latinoamericano de Música de Caracas, Festival Iberoamericano de Puerto Rico, Museo Guggenheim de Bilbao- Festival BBK, Van Cliburn Foundation of Fort Worth. Distinguido por la Asociación de Críticos Musicales de la Argentina, en 1992 como la "joven revelación", en 1994 recibe el premio a la mejor obra argentina estrenada en dicha temporada por su primera sinfonía "El compendio de la vida", en el 2006 por su obra “La Lumière de Pacha Camac"y finalemente en el 2009 por su obra "Patagonia". La Académie des Beaux-arts de l’Institut de France le ha otorgado varios premios: en 1999 el Premio Delmas; en 2002 el Premio Tronchet; y, en el 2006, el Premio Georges Wildenstein. En el 2004 gana el premio de composición de la Fundación Groupe d’entreprise Banque Populaire-Natexis. En el 2008 recibe el premio de la John Simon Guggenheim Memorial Foundation de New York. Compositor en residencia en la Casa de Velázquez de Madrid 2004-06 (miembro de la sección artística). Ha sido becario del "Mozarteum Argentino" y de "Interamerican Music Friends" de Washington (USA). En 1995 fue invitado como compositor en residencia a la "Academie Internationale de Musique Yehudi Menuhin" de Suiza. Bio take from his website on Feb. 17, 2015

Website

www.estebanbenzecry.com

Published Works

  • COLORES DE LA CRUZ DEL SUR (Commissioned by Radio France)
  • TOCCATA Y MISTERIO, for cello and piano
  • RAPSODIA ANDINA, for cello and piano
  • ALWA, for harp - Commissioned for the Lily Laskine Harp Competition, 2008
  • TOCCATA NEWÉN, for solo piano
  • RAPSODIA ANDINA, for violin and piano
×
TOCCATA NEWÉN, for solo piano
Argentina 7'30'' solo piano $25.00
View
Purchase
Benzecry, Esteban (b. 1970)

Benzecry, Esteban (b. 1970)

Biography

Argentinean composer born in 1970, Esteban Benzecry is one of South America's most renowned young composers. He studied musical composition with Sergio Hualpa and Haydee Gerardi in Argentina, and moved to Paris in 1997, where he studied composition with Jacques Charpentier's, Professor of the Conservatoire Superieur de Paris. He obtained the "Premier Prix a l'unanimitè" in composition in 1999. He also studied composition with Paul Méfano, and Electro acoustic music with Luis Naon and Laurent Cuniot. He is the author of three symphonies (his first symphony, "El compendio de la vida" from 1993 is inspired on four of his own canvases) as well as symphonic and chamber works. His most recent works attempt a fusion between rhythms with Latin American roots and the diverse aesthetic currents of European contemporary music creating, a personal language, an imaginary folklore. "Le Monde de la Musique" has called him a distant heir to Villa Lobos and Ginastera because of his imaginative use of the Latin American musical patrimony. His works have been played in Europe and the United States. Among the interpreters that have performed his works are: Royal Concertgebouw Orchestra, Los Angeles Philharmonic, Atlanta Symphony Orchestra, Seattle Symphony, Fort Worth Symphony Orchestra, Gothenburg Symphony Orchestra, Hamburg Philharmoniker Orchester, Sydney Symphony Orchestra, Helsinki Philharmonic, Tampere Philharmonic, Stavanger Symfoniorkester, Orquesta Gulbenkian of Lisbon, ORCAM Orquesta y Coro de la Comunidad de Madrid, Orquesta Sinfonica de RTVE (Radio Televisión Española), Orchestre National de France, Orchestre National de Montpellier, Orchestre Colonne de Paris, Orchestre de Concerts Pasdeloup ,Orchestre Lamoureux, Orchestre Symphonique de Cannes-Côte d’Azur, la Sinfonietta de Paris, Orchestre de la Basse Normandie, Orchestre Universitaire de Strasbourg, l’ensemble l’Itineraire, Grup Instrumental de Valencia, Ensamble LIM, Orquesta Sinfonica National de Argentine, Orquesta Filarmonica del Teatro Colón de Buenos Aires, Orquesta Sinfónica Simón Bolívar de Venezuela, Orquesta Filarmonica Nacional de Venezuela, Orquesta Filarmonica de Bogota (Colombia), Orquesta Nacional de Colombia, Orquesta Sinfonica de Chile, Orquesta Sinfónica Nacional (Peru), l’Ensemble de l’Université Carnegie-Mellon de Pittsburgh (USA), Orchestre Symphonique de Klaipeda (Lituanie), Orquesta Sinfonica Carlos Chavez (Mexique) la Camerata Lysy - Gstaad (Suisse), la Camerata Basel (Suisse), la Camerata Bariloche (Argentine), “London’s Schubert Chamber Orchestra” (UK), and Solaris String quartet of London,Filarmonica de Stat Targu Mures (Roumanie). His works have also been performed by renowned artists such as Gustavo Dudamel, Miguel Harth-Bedoya, Diego Matheuz, Giancarlo Guerrero, David Alan Miller, Laurent Petitgirard, Alain Altinoglu, Daniel Kawka, Wolfgang Doerner, Mark Foster, Alain Pâris, Nemanja Radulovic, Rolf Schulte, Alberto Lysy, Gautier Capuçon, Sol Gabetta, Horacio Lavandera, Jesus Castro Balbi among others. His works have been commissioned and performed at Carnegie Hall, Concertgebouw, Sydney Opera House, Royal Festival Hall, Salle Pleyel, Salle GAVEAU, Théâtre des Champs Elysées, Theatre Mogador, Maison de Radio France , Palais de l’Unesco de Paris, Palais des Festivals a Cannes, Opera de Montpellier, Finlandia Hall, Teatro Colón de Buenos Aires, Auditorio Nacional de Madrid, Festival de Islas Canarias, Festival Rencontres d’ensembles de violoncelles de Beauvais, Walt Disney Concert Hall, Juilliard School of New York (Lincoln Center), Boston Conservatory, Chopin Conservatory of Music (Poland) Festival Pontino (Italy) , Festivals de Brighton et Dartington (UK), Festival Estoril de Portugal, Musica Viva Festival - Miso Music Portugal, Festival Ensems de Valencia, Festival de Morelia (Mexico), Festival Latinoamericano de Musica de Caracas, Festival Iberoamericano de Puerto Rico, museo Guggenheim de Bilbao-Festival BBK , and the Van Cliburn Foundation in Fort Worth, Texas... In 1992 he was distinguished as "The young revelation of the Season" by the Musical Critics Association of Argentina. In 1994 the same association awarded him "The best Argentine work premiered in the 1994 Season" distinction, for his Symphony n°1 "El compendio de la vida", played by the National Symphony Orchestra. In 1999 he was distinguished by the Academie des Beaux-Arts de l'Institut de France with the prize from the Foundation Delmas, the prize Tronchet in 2002 and the prize Georges Wildenstein in 2006. In 2004, he received the Fondation groupe d'entreprise Banque Populaire-Natexis Award for music. He is Resident Composer at the Casa de Velazquez of Madrid 2004-2006 (Academie de France a Madrid). In 2008 he received a John Simon Guggenheim Memorial Foundation Fellowship for Music Composition. He has been a fellow of the "Interamerican Music Friends of Washington" (USA) , Mozarteum Argentino and Academie des Beaux-Arts de l'Institut de France. In 1995 he was invited as Resident Composer at the Yehudi Menuhin Academy (Switzerland). Benzecry lives in Paris since 1997 ___________________________________________________________________________________________________________________________ Compositor argentino nacido en Lisboa en 1970 (de padres argentinos), después de crecer en la Argentina ha vivido en Francia desde 1997, y obtuvo la nacionalidad francesa en 2011. Desde 1997 reside en París, Francia, donde realizó estudios de composición en el conservatorio de París bajo la guía de los maestros Jacques Charpentier y Paul Mefano, obteniendo un premier prix a la unanimidad en composición musical. También realizó cursos de música electroacústica (nouvelles techniques) dictado por los maestros Luis Naon y Laurent Cuniot en el Conservatoire National Superieur de Paris. En Argentina paralelamente a sus estudios de Bellas Artes en la universidad "Prilidiano Pueyrredon" coronados por un título de profesor nacional de pintura, estudia composición con los maestros Sergio Hualpa y Haydee Geradi. Autor de tres sinfonías, (su primera sinfonía escrita en 1993,"El compendio de la vida" esta inspirada en cuatro pinturas de su autoría), varias obras sinfónicas y de cámara. Sus obras más recientes intentan una fusión entre los ritmos y raíces latinoamericanas que toma como fuente de inspiración, y las diferentes corrientes estéticas de la música contemporánea europea creando así un lenguaje personal, un folclore imaginario. Una crítica publicada en "Le Monde de la Musique" (07/2001), lo califica como un heredero lejano de Villa-Lobos y Alberto Ginastera por la utilización imaginativa del patrimonio musical latinoamericano. Sus obras son interpretadas y encargadas por importantes orquestas y solistas de Europa y América como las siguientes: Royal Concertgebouw Orchestra, Los Ángeles Philharmonic, Atlanta Symphony Orchestra , Seattle Symphony, Fort Worth Symphony Orchestra, Sydney Symphony Orchestra, Gothenburg Symphony Orchestra, Hamburg Philharmoniker Orchester, Helsinki Philharmonic, Tampere Philharmonic, Stavanger Symfoniorkester, ORCAM Orquesta y Coro de la Comunidad de Madrid, Orquesta de la RTVE Radio Television Española, Orquestra Gulbenkian de Lisboa, Orchestre National de France, Orchestre Philharmonique de Radio France, Orchestre National de Montpellier,Orchestre Colonne, Orchestre Pasdeloup, Orchestre Lamoureux , Orchestre Symphonique de Cannes-Côte d’Azur, Sinfonietta de París, Orchestre de la Basse Normandie, Orchestre Universitaire de Strasbourg, el ensemble l’Itinéraire, el Octuor des violoncelles de Beauvais, Grup Instrumental de Valencia, Ensamble LIM, Orquesta Sinfónica Nacional de Argentina, Orquesta Filarmónica del Teatro Colón de Buenos Aires, Orquesta Sinfónica Simón Bolivar de Venezuela, Orquesta Filarmónica Nacional de Venezuela, Orquesta Filarmónica de Bogotá, Orquesta Nacional de Colombia, Orquesta Sinfónica de Chile, Orquesta Sinfónica Nacional de Lima, Carnegie Mellon Contemporary Ensemble of Pittsburgh (USA), Orchestre Symphonique de Klaïpeda (Lituanie), Orquesta Sinfónica Carlos Chávez (México), Camerata Lysy - Gstaad, Camerata Basel, Camerata Bariloche (Argentina), London’s Schubert Chamber Orchestra, Filarmónica de Stat Targu Mures (Rumania), Solaris String Quartet, Gustavo Dudamel, Miguel Harth Bedoya, Diego Matheuz, Giancarlo Guerrero, Laurent Petitgirard, Alain Altinoglu, Daniel Kawka, Wolfgang Doerner, Mark Foster, Alain Pâris, Nemanja Radulovic, Alberto Lysy, Gautier Capuçon, Sol Gabetta, Horacio Lavandera y Jesús Castro Balbi. Y han sido programadas en importantes salas y Festivales internacionales de los que se pueden citar: the Carnegie Hall, Concertgebouw, Royal Festival Hall, Sydney Opera House, Salle Pleyel, Salle GAVEAU, Théâtre des Champs Elysées, Théâtre Mogador, Maison de RADIO FRANCE, Palais de l’Unesco de París, Palais des Festivals a Cannes, Opéra de Montpellier, Sydney Opera House,Teatro Colón de Buenos Aires, Auditorio Nacional de Madrid, Festival Rencontres d’ensembles de violoncelles de Beauvais, Concours International d’harpe Lily Laskine, Juilliard School de Nueva York, (Lincoln Center), Boston Conservatory, Festival Présences de Radio France, Festival Pontino d’Italie, Festivals de Brighton et Dartington (Inglaterra), Festival de Musica de Islas Canarias, Festival Estoril de Portugal, Miso Music Portugal, Festival Musica Viva de Lisboa, Festival Ensems de Valencia, Festival de Morelia (México), Festival Latinoamericano de Música de Caracas, Festival Iberoamericano de Puerto Rico, Museo Guggenheim de Bilbao- Festival BBK, Van Cliburn Foundation of Fort Worth. Distinguido por la Asociación de Críticos Musicales de la Argentina, en 1992 como la "joven revelación", en 1994 recibe el premio a la mejor obra argentina estrenada en dicha temporada por su primera sinfonía "El compendio de la vida", en el 2006 por su obra “La Lumière de Pacha Camac"y finalemente en el 2009 por su obra "Patagonia". La Académie des Beaux-arts de l’Institut de France le ha otorgado varios premios: en 1999 el Premio Delmas; en 2002 el Premio Tronchet; y, en el 2006, el Premio Georges Wildenstein. En el 2004 gana el premio de composición de la Fundación Groupe d’entreprise Banque Populaire-Natexis. En el 2008 recibe el premio de la John Simon Guggenheim Memorial Foundation de New York. Compositor en residencia en la Casa de Velázquez de Madrid 2004-06 (miembro de la sección artística). Ha sido becario del "Mozarteum Argentino" y de "Interamerican Music Friends" de Washington (USA). En 1995 fue invitado como compositor en residencia a la "Academie Internationale de Musique Yehudi Menuhin" de Suiza. Bio take from his website on Feb. 17, 2015

Website

www.estebanbenzecry.com

Published Works

  • COLORES DE LA CRUZ DEL SUR (Commissioned by Radio France)
  • TOCCATA Y MISTERIO, for cello and piano
  • RAPSODIA ANDINA, for cello and piano
  • ALWA, for harp - Commissioned for the Lily Laskine Harp Competition, 2008
  • TOCCATA NEWÉN, for solo piano
  • RAPSODIA ANDINA, for violin and piano
×
TOCCATA Y MISTERIO, for cello and piano
Argentina 3'30" cello and piano $35.00 piano score and cello part included
View
Purchase
Campos, José Carlos (b. 1957)

Campos, José Carlos (b. 1957)

Biography

José Carlos Campos was born in Lima, Peru in 1957, where later studied at the National Conservatory of Music with Edgar Valcárcel, Pedro Asato and Celso Garrido-Lecca. In 1985, after graduating in composition, he obtains a scholarship by the French government to study in Paris. In 1990 he returns to Peru to teach at the National Conservatory of Music as well as working as producer for Radio Filarmonia. In 1998 he returns to France, where he obtains a master in musicology at the Sorbonne in Paris. His works has been performed throughout South and North America and Europe.

Website

unknown

Published Works

  • DANZA RÚSTICA, for orchestra
  • ALONE, Conversations With Oneself, for solo flute
  • DANZA FESTIVA, for strings
×
ALONE, Conversations With Oneself, for solo flute
Peru 5'30'' solo flute $25.00 --
View
Purchase
Campos, José Carlos (b. 1957)

Campos, José Carlos (b. 1957)

Biography

José Carlos Campos was born in Lima, Peru in 1957, where later studied at the National Conservatory of Music with Edgar Valcárcel, Pedro Asato and Celso Garrido-Lecca. In 1985, after graduating in composition, he obtains a scholarship by the French government to study in Paris. In 1990 he returns to Peru to teach at the National Conservatory of Music as well as working as producer for Radio Filarmonia. In 1998 he returns to France, where he obtains a master in musicology at the Sorbonne in Paris. His works has been performed throughout South and North America and Europe.

Website

unknown

Published Works

  • DANZA RÚSTICA, for orchestra
  • ALONE, Conversations With Oneself, for solo flute
  • DANZA FESTIVA, for strings
×
DANZA FESTIVA, for strings
Peru 3'30" string orchestra $30.00 Please enquire at orders@filarmonika.com
View
Purchase
Campos, José Carlos (b. 1957)

Campos, José Carlos (b. 1957)

Biography

José Carlos Campos was born in Lima, Peru in 1957, where later studied at the National Conservatory of Music with Edgar Valcárcel, Pedro Asato and Celso Garrido-Lecca. In 1985, after graduating in composition, he obtains a scholarship by the French government to study in Paris. In 1990 he returns to Peru to teach at the National Conservatory of Music as well as working as producer for Radio Filarmonia. In 1998 he returns to France, where he obtains a master in musicology at the Sorbonne in Paris. His works has been performed throughout South and North America and Europe.

Website

unknown

Published Works

  • DANZA RÚSTICA, for orchestra
  • ALONE, Conversations With Oneself, for solo flute
  • DANZA FESTIVA, for strings
×
DANZA RÚSTICA, for orchestra
Peru 3'30" 3*222-2200-timp-perc (3)-str $30.00 Please enquire at orders@filarmonika.com
View
Purchase
Cifuentes, Santos (1870-1932) SCHERZO SOBRE AIRES TROPICALES, for orchestra
Colombia 7' 1111-2110-timp-perc (3)-str $40.00 Rental only - Please contact orders@filarmonika.com
View
Purchase
Cueto, Daniel (b. 1986)

Cueto, Daniel (b. 1986)

Biography

coming soon

Website

unknown

Published Works

  • PRISMA, for solo flute
×
PRISMA, for solo flute
Peru 6'30'' solo flute $25.00
View
Purchase
Errázuriz, Sebastián (b. 1975)

Errázuriz, Sebastián (b. 1975)

Biography

Born in Santiago, Chile in 1975. His musical initiation developed from a young age, participating in choruses and studying guitar and harmony in the Academy Projazz and with private tutors. He did professional studies in composition in the Professional Institute, Modern School of Music and subsequently obtained the degree of Master of Arts in the University of Chile. His principal teachers have been: Juan Orrego-Salas, Guillermo Rifo, Jorge Martínez, Luis José Recart, Aliocha Solovera, and Toly Ramírez. Since 1999 his works have been programmed in Chile’s major orchestras, such as the Santiago Philharmonic Orchestra, Chilean Symphony Orchestra, National Youth Symphony Orchestra, Modern Orchestra, Chilean Chamber Orchestra, University of Concepción Symphony Orchestra, Camerata Los Andes, and Orquesta Mayor, among others. He has been commissioned by renowned soloists to write chamber music in various formats for concerts throughout Chile and abroad. His catalogue includes more than 35 diverse works. Among his awards are: First Place, “Jorge Peña Hen” Composition Competition for his symphonic work “La Caravana", 2003; El Sábado Magazine Young Leaders Prize, 2004; Medal of the 150th Anniverary Season of the Municipal Theater of Santiago, 2007; Diario Financiero prize for Successful Youth, 2008; Prize of the Circle of Art Critics, 2008; Altazor Prize, 2009. He has participated in the country’s main contemporary music festivals, as well as participating in the 150th Anniversary Season of the Municipal Theater of Santiago with his symphonic work “Historia del Tempo.” His work has also been selected on two occasions during “Season of Discovery “of the Chilean Symphony Orchestra. His work as composer and producer provides more than 10 recordings, among which are: “Música Descubierta” (FONDART 2003); “Música y Poesía” (Sello EM); “Viola Chilena del siglo XXI” (FONDART 2001); “Cuarteto Iniesta” (FONDART 2003), “Siete proposiciones y un epílogo” (MusicActual 2008), “Viento Blanco” (Oveja Negra 2009), as well as music for film and theater. He studies conducting with Maestro Eduardo Browne. He is director and founder of the collective "Los Musicantes de Projazz.” He also serves as the Director of Composition Careers in the Projazz Professional Institute. In March 2008 he premiered his opera “Viento Blanco” in the Teatro Municipal in Santiago with high praise from critics and the public. He is a member of the board of the National Association of Composers of Chile. For more information on Sebastian Errázuriz please visit: www.sebastianerrazuriz.cl

Website

www.sebastianerrazuriz.cl

Published Works

  • LA CARAVANA - Winner of the first 'Jorge Peña Hen' Composition Prize, 2003
  • STRING QUARTET No.1
  • CHOPINIANA No. 2, for solo piano
×
CHOPINIANA No. 2, for solo piano
Chile 8' solo piano $25.00
View
Purchase
Errázuriz, Sebastián (b. 1975)

Errázuriz, Sebastián (b. 1975)

Biography

Born in Santiago, Chile in 1975. His musical initiation developed from a young age, participating in choruses and studying guitar and harmony in the Academy Projazz and with private tutors. He did professional studies in composition in the Professional Institute, Modern School of Music and subsequently obtained the degree of Master of Arts in the University of Chile. His principal teachers have been: Juan Orrego-Salas, Guillermo Rifo, Jorge Martínez, Luis José Recart, Aliocha Solovera, and Toly Ramírez. Since 1999 his works have been programmed in Chile’s major orchestras, such as the Santiago Philharmonic Orchestra, Chilean Symphony Orchestra, National Youth Symphony Orchestra, Modern Orchestra, Chilean Chamber Orchestra, University of Concepción Symphony Orchestra, Camerata Los Andes, and Orquesta Mayor, among others. He has been commissioned by renowned soloists to write chamber music in various formats for concerts throughout Chile and abroad. His catalogue includes more than 35 diverse works. Among his awards are: First Place, “Jorge Peña Hen” Composition Competition for his symphonic work “La Caravana", 2003; El Sábado Magazine Young Leaders Prize, 2004; Medal of the 150th Anniverary Season of the Municipal Theater of Santiago, 2007; Diario Financiero prize for Successful Youth, 2008; Prize of the Circle of Art Critics, 2008; Altazor Prize, 2009. He has participated in the country’s main contemporary music festivals, as well as participating in the 150th Anniversary Season of the Municipal Theater of Santiago with his symphonic work “Historia del Tempo.” His work has also been selected on two occasions during “Season of Discovery “of the Chilean Symphony Orchestra. His work as composer and producer provides more than 10 recordings, among which are: “Música Descubierta” (FONDART 2003); “Música y Poesía” (Sello EM); “Viola Chilena del siglo XXI” (FONDART 2001); “Cuarteto Iniesta” (FONDART 2003), “Siete proposiciones y un epílogo” (MusicActual 2008), “Viento Blanco” (Oveja Negra 2009), as well as music for film and theater. He studies conducting with Maestro Eduardo Browne. He is director and founder of the collective "Los Musicantes de Projazz.” He also serves as the Director of Composition Careers in the Projazz Professional Institute. In March 2008 he premiered his opera “Viento Blanco” in the Teatro Municipal in Santiago with high praise from critics and the public. He is a member of the board of the National Association of Composers of Chile. For more information on Sebastian Errázuriz please visit: www.sebastianerrazuriz.cl

Website

www.sebastianerrazuriz.cl

Published Works

  • LA CARAVANA - Winner of the first 'Jorge Peña Hen' Composition Prize, 2003
  • STRING QUARTET No.1
  • CHOPINIANA No. 2, for solo piano
×
LA CARAVANA - Winner of the first 'Jorge Peña Hen' Composition Prize, 2003
Chile 8' 2*222-4231-timp-perc (3)-str $50.00 Rental only - Please contact orders@filarmonika.com
View
Purchase
Errázuriz, Sebastián (b. 1975)

Errázuriz, Sebastián (b. 1975)

Biography

Born in Santiago, Chile in 1975. His musical initiation developed from a young age, participating in choruses and studying guitar and harmony in the Academy Projazz and with private tutors. He did professional studies in composition in the Professional Institute, Modern School of Music and subsequently obtained the degree of Master of Arts in the University of Chile. His principal teachers have been: Juan Orrego-Salas, Guillermo Rifo, Jorge Martínez, Luis José Recart, Aliocha Solovera, and Toly Ramírez. Since 1999 his works have been programmed in Chile’s major orchestras, such as the Santiago Philharmonic Orchestra, Chilean Symphony Orchestra, National Youth Symphony Orchestra, Modern Orchestra, Chilean Chamber Orchestra, University of Concepción Symphony Orchestra, Camerata Los Andes, and Orquesta Mayor, among others. He has been commissioned by renowned soloists to write chamber music in various formats for concerts throughout Chile and abroad. His catalogue includes more than 35 diverse works. Among his awards are: First Place, “Jorge Peña Hen” Composition Competition for his symphonic work “La Caravana", 2003; El Sábado Magazine Young Leaders Prize, 2004; Medal of the 150th Anniverary Season of the Municipal Theater of Santiago, 2007; Diario Financiero prize for Successful Youth, 2008; Prize of the Circle of Art Critics, 2008; Altazor Prize, 2009. He has participated in the country’s main contemporary music festivals, as well as participating in the 150th Anniversary Season of the Municipal Theater of Santiago with his symphonic work “Historia del Tempo.” His work has also been selected on two occasions during “Season of Discovery “of the Chilean Symphony Orchestra. His work as composer and producer provides more than 10 recordings, among which are: “Música Descubierta” (FONDART 2003); “Música y Poesía” (Sello EM); “Viola Chilena del siglo XXI” (FONDART 2001); “Cuarteto Iniesta” (FONDART 2003), “Siete proposiciones y un epílogo” (MusicActual 2008), “Viento Blanco” (Oveja Negra 2009), as well as music for film and theater. He studies conducting with Maestro Eduardo Browne. He is director and founder of the collective "Los Musicantes de Projazz.” He also serves as the Director of Composition Careers in the Projazz Professional Institute. In March 2008 he premiered his opera “Viento Blanco” in the Teatro Municipal in Santiago with high praise from critics and the public. He is a member of the board of the National Association of Composers of Chile. For more information on Sebastian Errázuriz please visit: www.sebastianerrazuriz.cl

Website

www.sebastianerrazuriz.cl

Published Works

  • LA CARAVANA - Winner of the first 'Jorge Peña Hen' Composition Prize, 2003
  • STRING QUARTET No.1
  • CHOPINIANA No. 2, for solo piano
×
STRING QUARTET No.1
Chile 12' string quartet $30.00 $70.00
View
Purchase Purchase
Fernández, Agustín (b. 1958)

Fernández, Agustín (b. 1958)

Biography

Agustín Fernández (born 1958) Following an early start as a folk singer and charango player in the late 1960s, Agustín Fernández studied composition in La Paz with Alberto Villalpando and in Japan with Takashi Iida and Akira Ifukube. In Britain he studied at Liverpool University and at London’s City University. He worked as harmony teacher at the National Conservatoire in La Paz, and as violinist and then principal viola with the Bolivian National Symphony Orchestra. In Japan he worked as assistant to the Bolivian ambassador and as Spanish instructor. In the UK he was Composer-in-Residence at Queen’s University, Belfast, then lecturer at Dartington College of Arts, before being appointed lecturer in composition at Newcastle University and, from 2007, Professor of Composition. His early works were performed by the main orchestras, choirs and chamber groups in Bolivia. In Britain, Teoponte was commissioned for the 1988 London International Opera Festival and The Wheel was commissioned by the Royal Opera House’s Garden Venture in 1992. Fuego and Peregrine have received premières at the Alice Tully Hall in Lincoln Center. The orchestral- choral work Approaching Melmoth, a preliminary exploration towards an opera he is planning on Maturin’s Melmoth the Wanderer, was performed by Northern Sinfonia and NS Chorus with Sir Thomas Allen in the solo part. Mystical Dances for orchestra was premièred at the 2006 Huddersfield Festival. In 2010 his reconstructed Misa de Corpus Christi for two choirs and orchestra filled to capacity four major venues including Cochabamba Cathedral. In February 2011 Una música escondida received performances at Bass Hall by the Fort Worth Symphony Orchestra. His works are published by Tritó of Barcelona and Tre Media of Karlsruhe. _______________________________________________________________ Agustín Fernández nació en Cochabamba, Bolivia, en 1958. Estudió composición con Alberto Villalpando en La Paz, con Takeshi Iida y Akira Ifukube en Japón y con Douglas Young en Inglaterra, donde cursó una maestría (Universidad de Liverpool) y un doctorado (City University, Londres). Ha trabajado como profesor de armonía en el Conservatorio Nacional de La Paz, guía de violas en la Orquesta Sinfónica Nacional, compositor en residencia en Queen’s University de Belfast y como docente en composición, primero en Dartington College y luego en la Universidad de Newcastle (Inglaterra), donde en 2007 fue promovido a la cátedra de composición. Ha escrito óperas y obras orquestales, electroacústicas y de cámara, que han sido ejecutadas por agrupaciones como la Orquesta Sinfónica Nacional de Bolivia, Orquesta de Ulster, Orquesta de la BBC, Fort Worth Symphony, Juilliard Symphony, New Juilliard Ensemble, Royal Opera House Garden Venture, Nuove Forme Sonore, Northern Sinfonia, Orchestra Sinfonica di Perugia, Orquesta Sinfónica de Castilla y León y otras. Retorna a Bolivia con regularidad, liderando proyectos creativo o interpretativos en instituciones como Orquesta Sinfónica Juvenil de El Alto, Conservatorio Nacional de Música, Instituto Laredo y Universidad Católica Boliviana.

Website

www.agustinfernandez.com

Published Works

  • UNA MÚSICA ESCONDIDA, for piano and strings
×
UNA MÚSICA ESCONDIDA, for piano and strings
Bolivia 15' piano and string orchestra $50.00 Rental only - Please contact orders@filarmonika.com
View
Purchase
Franco, Luis Fernando SUITE COLOMBIANA, for solo piano
Colombia 8' solo piano $25.00
View
Showing 1 - 20 (of 152)

*For all Rentals and questions about scores and parts, please contact Andrés Jaime at manager1@filarmonika.com

Mailing List

If you would like to receive information on our new music publications, please submit your information below.

Your email address:   Your name (optional):